Art in the perspective of Hinduism in Bali which is identical to the universal religious life so that society has a fundamental position. The adherents to express faith in the Almighty Hyang. So many art show that is associated with a particular cult or as a complement to these cults.
Ceremony at Pura-Pura (holy place) can not be separated from sound art, dance, gamelan, painting, art and literature. The temples, Pura-Pura, constructed in such a way as expressions of a sense of aesthetics, ethics and religious attitudes of Hindus in Bali. Pregina (dancers) in the spirit of ngayah (selfless work) presents dance as a form of devotion to Ida Sang Hyang Widi Wasa (God Almighty), bhakti and devotion as a form of longing to see the source of art itself.
The artists also wanted to blend with the art because in fact every human on this earth is the spark of art. It also developed the art shows that are entertaining. And in Bali, by its nature art fall into the sacred guardian of art and art is not sacred (called profane) that serves as a spectacle or entertainment only.
In the art of dance, sacred dance or guardian is a dance performed in the framework of a work or a particular ritual or series Yadnya, and dance is usually purified. His Holiness looked at the equipment used, for example on existing Pendet canang juice (leaf and flower offerings are arranged neatly), pasepan (fireplace), and tetabuhan. In Rejang dance on gelungannya and guiding thread wrapped around the dancer's body (specifically Rejang string). Sidakarya mask in the form tapel (mask), kekereb (closed ...), and rice sekar ura (flower cut small to spread). Everything should not be used carelessly. The sacredness is also there in the dancers themselves, for example, a dancer or dancers Sang Hyang Rejang must display the young dancers, has never married, and have not menstruation. Or the dancers have to do pewintenan (ceremony purification) before they danced the sacred dance.
In the history of this guardian of dance most associated with religious mythology that developed in certain areas. This mythology may be made simultaneously or after the dance was created or the previous guardian. Though this dance was created human beings, but because it is the consensus of the community supporting the mayor this dance got a special place in the hearts of the community in relation to religious beliefs, especially Hinduism.
Dance-dance created in Bali guardian similar to the ritual dances of India. According to mythology guardian dances were created by Lord Brahma and Lord Shiva which is famous for cosmic dance, which is Shiva Nata Raja. Where is Lord Shiva plays the world with the movement of a magnitude unseen mudranya. Each attitude hands with body movement has a meaning and a certain strength dance is not only showing the beauty of art or clothing, but has the power scale and abstract. In Bali is not just any use. Only the Sulinggih (Brahmins or holy men) are using this mudra hand gestures, because it is very sacred.
In Bali, to add strength to the scale and abstract dance often accompanied by offerings-offerings (offerings) Pasupati for a particular dancer or dance equipment. To a certain guardian dance performances, beginning with the offerings and tetabuhan so as not to be disturbed and bhuta giraha bhuta kala kala kapiragan. Not infrequently the offering of certain ritual dance performed in the procession Pasupati, either simply by using the offerings made by Pasupati or more specifically, greater than or privilege to beg for the dancers are guided in accordance with the will of Ida Betara.
Pasupati means king shepherd animals. That is for the dancers like animals and shepherd shepherd who governed entirely by the shepherd, the Ida Betara. So every movement the dancers are not entirely derived from himself, partly inspired by Ida Betara movements being applied. So the dance will have a noetic (magical power)
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